GREENSBORO The student sit-in that started at the F.W. Woolworth store in downtown Greensboro on Feb. 1, 1960, forced the company to begin serving black patrons at its lunch counters in stores throughout the South.
Yet other Greensboro businesses remained closed to African-Americans for years, and it was more than a decade before the city integrated its schools.
Likewise, it has taken longer than many people expected for a museum to come to life inside the former Woolworth building. The International Civil Rights Center and Museum will open there Monday on the 50th anniversary of that first sit-in. It expects to draw 200,000 visitors a year.
The museum will commemorate the birthplace of the sit-in movement and will honor the courage of those who challenged racial segregation and brought social change in this country and throughout the world.
"To me, this museum, which I consider to be prominent on a national level, serves as a testimony to how far we have come as a community and a country," said Anthony Wade, human relations director for the city of Greensboro and a man old enough to remember using "colored" drinking fountains as a child.
"It certainly speaks to the courage of four young men who were willing to take a stand for what was morally correct, even though the law didn't support it. And that sparked a national movement. Laws were changed, barriers were removed.
"Do we still have problems? We're always in a state of evolution. We're always trying to improve the quality of life."
Earl Jones, now a state legislator, was a city council member when he and Melvin "Skip" Alston, chairman of the Guilford County Board of Commissioners, went together to buy the Woolworth building from First Citizens Bank.
After the store closed in 1993, the bank talked about razing the building to make way for a parking deck.
Alston and Jones got the building with a $700,000 loan they paid off with donations to Sit-In Movement Inc., the organization they founded to turn the building into a museum. They needed millions more to stabilize the 1929 structure; that, it turned out there was had a creek running through its foundation. They needed still more to pay for design work, renovations, artifacts and exhibits construction.
Two separate bond issues for the museum failed. But eventually, supporters raised $9 million in donations and grants, and then learned the museum could qualify for historic preservation tax credits that could be sold for $14 million. That was enough to get the work done, in time for an opening on the 50th anniversary of the start of the sit-in.
The museum has 30,000 square feet of exhibit space on two floors where shoppers once bought plastic flowers, white thread and chocolate-covered peanuts by the pound. It will take visitors back to a time when federal and state laws and local customs forbade black citizens from staying in the same hotels, eating in the same restaurants, sitting in the same sections of theaters and living on the same streets as white citizens.
Those strictures had long frustrated A&T freshmen Franklin McCain, Joseph McNeil, Ezell Blair Jr. and David Richmond. They and others had discussed what they could do about the way they were treated by local businesses, and decided to walk the 15 minutes from campus to the Woolworth store, buy a few items, take a series of empty seats at the lunch counter and order some coffee.
They were asked to leave. They didn't. They stayed throughout the day and returned the next day with classmates who also took seats at the counter. The sit-in grew, then spread to other stores and types of businesses in other cities.
The Greensboro sit-in paused only to allow city officials and business people to discuss a solution. When none was offered, protesters resumed, until Woolworth changed its policy in late July.
The centerpiece of the new museum is the long, wraparound lunch counter where the students held their ground despite being heckled and harassed over the simplest human desire: to have a meal.
Children who will tour the museum by the busload take such a basic provision for granted. Even Skip Alston's own daughter, in her 20s - already older than the Greensboro Four when they started the sit-in - had a difficult time believing that African-Americans were treated so poorly.
That's why this museum had to be built, Alston says, and why nearly 100 others have been built around the country. In the past few years, new African-American cultural and history museums have opened in San Francisco, Baltimore and Charlotte. The Smithsonian will begin construction on a new national African-American museum in Washington in 2012, to be finished in 2015.
The architect for the International Civil Rights Center and Museum, Durham's Phil Freelon, has worked on all of those buildings and says they serve several purposes besides generating economic growth through tourism.
They instill pride in young African-Americans, he says, teach people about the contributions African-Americans have made in history and in the development of U.S. culture, and unite people of all races.
"The story of the African-American is the quintessential American story - rising up from difficult circumstance, persevering against all odds, resiliency, thriving in the melting pot that is America, pursuing the American dream," Freelon said.
Photographs such as those of the victims of racial violence displayed in this museum, "Whites Only" signs that marked drinking fountains, and a row of swivel seats that was once beyond the reach of a section of a city's citizenry are powerful storytelling aids.
"We have to be able to tell our story, the African-American story from our perspective," Alston said. "That story has to be told. It has to be told right."
This is an important remembrance of the Civil Rights era.
Comments [0]
This is the loaf of bread I made today – well, starting last night.
Comments [0]
These are recent black and white photos I took one day around St. Margaret's using my Diana F+ plastic camera. Many of these photos were taken with the Diana flash, which adds an interesting effect. I have a color roll in the camera that I hope to get developed soon.
Comments [0]
Yes - I know that there are water spots on some of the pics. It was windy and wet out there! But a ton of fun.
Comments [2]
Wow! Bank of America cardholders (debit or credit) can get free general admissions to museums, zoos, science centers, botanical gardens and more on the first full weekend of each month of this year. This is an amazing offer. Visit Bank of America’s Museums on Us program for more details. Meanwhile, we’ll be at the Leagon of Honor this weekend…for free!
posted January 16, 2010 in entertainment, free
Comments [0]
I bought a Canon AV-1 film camera on eBay before Christmas. Then I picked up a really clean Canon AE-1 Program at a local camera store. The AV-1 was built in the late 70’s/early 80’s. And the AE-1 Program was introduced in 1981. Over Christmas I mentioned my interest in film photography to a friend in Palm Springs gave me a Nikkormat FTN camera he had purchased in 1973 and used for two years while in the Peace Corps in South America. I don’t think he used the camera for the last 30 years! Although the battery was dead, I put film in the camera and took some photos. I found the proper battery for camera at a camera store. This camera originally used a mercury battery but I found a non-mercury replacement that works just fine. The battery controls the light meter in this camera.
I’ve taken a few rolls of film with these cameras and had them developed. Not everything has turned out, but most of the frames are great. I’ve shot both color and black & white film. When looking at the results, I’m immediately struck by the stunning clarity of the pictures.
Shooting with film is a slow process. It takes longer to set up the camera for each shot. The Nikkormat, in particular, is slow to set up because it is fully manual. And reading the light meter requires an extra pre-step. Also, the film has to be manually advanced before taking the next shot. There are advantages to this slow process. First, I am more thoughtful about setting up each picture. I think about composition, and the details such as making sure that the horizon is set properly in the frame. I think about lighting and depth of field, so I’m conscious of setting aperture and shutter speed. Second, because there are only so many shots to a roll and because of the costs associated with processing film, I think about the quality and value tof taking each shot.
There are disadvantages to shooting with film. First, because it is a slow process, it could take weeks to complete a roll of film. In fact, sometimes I have to think hard about what type of film is in the camera - if it's color or black & white. Second, each roll of film is a paritcular type of film, with a particular film speed, which limits use. And, third, it’s difficult finding good processing, particularly for black & white film. That’s a real problem here in Orange County. Los Angeles has many more processing plants because of the film industry.
I just ordered a film scanner so that I can have film developed, but not printed. That should present some savings in the long run. Also, I found a good black & white processor that only develops film but doesn’t print. Also, I look forward to digitizing from film, which should produce higher quality results than scanning prints.
I also like using film cameras because they are “full frame” cameras. It’s difficult going back to my digital SLR (Canon 40D) because of how little I see in the view finder.
I encourage photographers to consider shooting film. It’s a great experience.
Comments [0]
Comments [0]